In each of Tolkien’s major works,
the characterization of elves is somewhat different. In The
Lord of the Rings they are noble but elegiac, a fading memory of an ancient
time. In The Silmarillion they are in their prime – bold, defiant,
tragic. In The Hobbit, though, elves are more playful, sprite-like creatures,
linked, I suppose, with the Victorian fairy tradition. The narrator explains, “So they laughed and
sang in the trees; and pretty fair nonsense I daresay you think it. Not that they would care; they would only
laugh all the more if you told them so.”
It is a less sophisticated and
perhaps less compelling vision than in the other books, yet there is still
something charming about them. After
all, “Elvish singing is not a thing to miss, in June under the stars…” And Elrond is
certainly a dignified character, “noble… strong… wise… venerable… and as kind
as summer.”
It’s interesting to try to visualize
the details of the elves-in-the-trees scene.
After they finished their songs, did the elves leap down from the trees,
falling like delicate leaves, all softness and ethereal flesh? Or did they scramble down like nimble animals, with twigs still tangled in their wild hair? Were they kissing up there, in their leafy
hideaways? Or merely dreaming of the
Undying Lands, to which they might return?
Or were the elves just waiting around
for some dwarves to show up, so they could give them a hard time? The Hobbit’s
fairy-like elves are a good example of why it might have been fun if Guillermo del
Toro could have made a fresh Hobbit
film, not linked with Jackson’s Rings
project. It could have been really,
really weird – but thereby captured, perhaps more authentically than did the recent
movie, the playfulness and strangeness of the book. Tolkien may have hoped to firmly affix The Hobbit to his later, more grand and masterly
project, but as I read it now, this book seems something apart from that
greater story, yet something curious and wonderful, like a child still laughing
and dancing with the reckless Peter Pan.
Image: From the Philadelphia Museum
of Art.
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